Monthly Archives: August 2013

Hamlet, my Hamlet

“How shall I hold back my soul that it doesn’t touch yours?” This question from Rilke‘s Love Song arises in a worried tone, here. Hamlet is the emotional highlight this year’s RSC productions. This production by David Farr hits the audience’s nerve where it is raw.

Jonathan Slinger (Hamlet)

Jonathan Slinger (Hamlet)

Elsinore in the paltry and dismal atmosphere of an old gym, soulless courtiers, phrases and masks as default mode…  Hamlet, the son of a murdered father can’t make up his mind to perform the promised revenge, and by his not-acting destroys the lives of practically everybody involved. Traditionally, he is a hesitator-too-much-thinker, maybe weak of character, overly cautious.
Jonathan Slinger opens up an abyss of depression, the symptoms of which have an effect that is as much self-destructive as family-destructive. Slinger’s Hamlet hits deep, and he does so over 3.5 hours.

Pippa Nixon (Ophelia)

Pippa Nixon (Ophelia)

Ophelia (Pippa Nixon) has no chance to distance herself. She invests her entire, innocent love and burns herself, body and soul, on her feelings. Pippa’s state of being lost, when her reason is bowled over, and her saved solitude in her grave, that remains visible through to the end, are truly breathtaking.

Greg Hicks (Claudius)

Greg Hicks (Claudius)

Father’s ghost and Uncle Claudius are taken to new dimensions. Claudius comes over as one of these self-justifying offenders who keep convincing themselves that all their evil deeds happened for the common good. Hick’s body language enriches Shakespeare’s Hamlet by a full chapter of cues for spectators.

Hamlet’s friend Horatio is a further highlight. Alex Waldmann brings warmth to a world without a perspective.

Alex Waldmann (Horatio)

Alex Waldmann (Horatio)

A brilliant scene of distance from emotional horror and a relaxed view is due to David Fielder as the gravedigger.

It’s an ensemble in which each individual would deserve a mention, not least Robin Soans as Polonius, Charlotte Cornwell as Gertrude …
the all surpassing impression, however, that’s Jonathan Slinger’s masterpiece – Hamlet, my Hamlet.

Jonathan Slinger (Hamlet)

Jonathan Slinger (Hamlet)

Hamlet will be on stage in the Theatre Royal, Newcastle Fri 18 October to Sat 26 October 2013.
Video clip

Photos by Keith Pattison

This post was first published in German on 13/08/2013 here

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Rilke, Love Song – Liebeslied

Rainer Maria Rilke
(1875-1926)

Love Song

How shall I hold back my soul, so
that it doesn’t touch yours? How shall I
lift it over you to other things?
Oh, I would rather hide it
near something lost in darkness,
at some place strange and quiet that
cannot resonate with your
deep tune.
But everything that touches either, you or me,
combines us like a bow stroke
that from two strings one voice does draw.
What is the instrument that we are strung upon?
And who is the musician in whose hands we are?
Sweet is the song.

Liebeslied

Wie soll ich meine Seele halten, daß
sie nicht an deine rührt? Wie soll ich sie
hinheben über dich zu andern Dingen?
Ach gerne möcht ich sie bei irgendwas
Verlorenem im Dunkel unterbringen
an einer fremden stillen Stelle, die
nicht weiterschwingt, wenn deine Tiefen schwingen.
Doch alles, was uns anrührt, dich und mich,
nimmt uns zusammen wie ein Bogenstrich,
der aus zwei Saiten eine Stimme zieht.
Auf welches Instrument sind wir gespannt?
Und welcher Geiger hat uns in der Hand?
O süßes Lied.