Tag Archives: Joanna Horton

All’s Well That Ends Well – Really?

“All’s Well That Ends Well”, an RSC production at the Theatre Royal in Newcastle begin November

What on earth was Shakespeare thinking, when he took the story about a tricked marriage from Boccaccio’s Decamerone and put it into his incomparable verse?
You might wonder whether he himself had doubts if people were going to buy the plot, when listening to Helena, the female lead, explaining her hidden feelings.

Joanna Horton (Helena)

Joanna Horton (Helena)

There is no envying Joanna Horton for this scene. Helena seems to rather want to be hiding behind the Countess’s (Charlotte Cornwell), her foster mother’s, potted plants, and yet she has to argue her case before the world, why she wants this particular man who is such a bad match for her. You’d like to tell her there are other mothers with interesting sons.
Helena loves her ward’s son, Bertram, who isn’t interested in her.

Alex Waldmann (Bertram), Charlotte Cornwell (Countess of Rossillion)

Alex Waldmann (Bertram), Charlotte Cornwell (Countess of Rossillion)

Alex Waldmann as Bertram, manages to look not a day older than 16, when, as a happy puppy, he is frolicking around with his mates, doesn’t know how to react to his father’s death, and casually moves to the King’s court.

Now Helena takes an initiative that seems a big leap for her character; upon hearing about the King’s (Greg Hicks) illness, she understands that she will be in a position to claim a favour, if she cures him.

Greg Hicks (King of France)

Greg Hicks (King of France)

Greg Hicks’ part is intriguing and has its strongest moments in the King’s illness. When recovered, well, he’s kingly. Greg Hicks is good at that.

When Helena’s plan works out, due to a miraculous medicine, and she is married to the puppy, the young and, understandably, rather frustrated husband, escapes to the wars, the bigger boys’ playground.
Impressively staged: Bertram’s changing into the uniform and the magnificently reduced fight scenes.

Alex Waldmann (Bertram) - raised up, Jonathan Slinger (Parolles) – in background, Daniel Easton, Michael Grady-Hall, Chris Jared, Samuel Taylor (Soldiers)

Alex Waldmann (Bertram) – raised up, Jonathan Slinger (Parolles) – in background, Daniel Easton, Michael Grady-Hall, Chris Jared, Samuel Taylor (Soldiers)

Helena, now deeply frustrated herself, follows Bertram to the city of his garrison, disguised as a pilgrim. Young Diana (fabulous: Natalie Klamar), to whom Bertram has been making advances, plots with Helena, invites him to her bedroom, where Helena, in darkness and without speaking, succeeds in getting pregnant by him.

This second ambush finally has Bertram defeated, he promises eternal love.
A likely result … Shakespeare himself seems happy to sow some doubt regarding lasting success. The King closes his part with the words:
“All yet seems well; and if it end so meet,
The bitter past, more welcome is the sweet.” 5.3.43

In an era when marriages for romantic reasons were far from being standard, these doubts must have worked in an even more conniving way than they do today. It was a difficult source material for a difficult comedy. Comedy? Truly Shakespeare.

This is a play that isn’t staged very often, and, even in this great production by Nancy Meckler, the plot feels strangely awkward.
Kudos to Joanna Horton, Alex Waldmann, Jonathan Slinger, Charlotte Cornwall, Natalie Klamar, Karen Archer, David Fielder and all the others who made this production well worth seeing and food for thought.

Alex Waldmann (Bertram)

Alex Waldmann (Bertram)

Jonathan Slinger (Parolles)

Jonathan Slinger (Parolles)

All’s Well will be on stage  at the Theatre Royal, Newcastle from 5 – 9 November.

photos by: Ellie Kurttz

First published in German on 19/09/2013 by artyviews

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Shakespearean Folk in the Forest of Arden

As You Like It production
of the Royal Shakespeare TheatreAYLI-6382, at the Theatre Royal in Newcastle

Wanderer between worlds, fugitives as beacons of hope, metamorphosis to a more heartfelt existence under the influence of nature… Country lad William Shakespeare, living in London’s big city hustle and bustle, certainly knew the longing he was writing about.

This production by Swedish director Maria Aberg bathes the affectionate Shakespeare comedy in an ambiance of festival, midsummer and heavenly lightness. Its atmosphere floats on dreamlike music written by composer and folk-pop singer Laura Marling.

Rosalind, the surpassing Pippa Nixon, flees, together with her cousin (Joanna Horton), from her reckless uncle’s court, shortly before also her heartthrob Orlando (Alex Waldmann) seeks refuge in the Forest of Arden, due to his brother’s murderous plans.
This is where already Rosalind’s banished father is hiding with his entourage. Rosalind, disguised as a man, comes across Orlando, who doesn’t recognize her, and teaches him the art of charming a woman.

Pippa Nixon does not only conquer Orlando – with her incredible diversity of expression, she juggles with the audience’s emotions and expectations, flying them high, letting them drop, catching them in such swing and momentum and spinning them up again, that just watching the play feels like dancing.
Alex Waldmann is a current day Orlando, hoodie wearer, misunderstood, exuberantly young and intoxicatingly physical. He displays his emotional worlds, their development and their variety in ways so touching that you’d wish you had individual scene photos for each single one of them.
Celia, Rosalind’s cousin and soulmate, is played by a fabulous Joanna Horton who credits this often neglected part with the fascination and warmth of a funny very best friend.
Touchstone the jester ensures, portrayed by Nicholas Tennant, continuous tears of laughter, and Jaques, his alter ego, in Oliver Ryan’s interpretation, comes over as a lovable drop-out comedian.

Alex Waldman (Orlando) and Pippa Nixon (Rosalind) In background David Fielder (Adam)

Alex Waldman (Orlando) and Pippa Nixon (Rosalind)
In background David Fielder (Adam)

As You Like It is going to be on stage in the Theatre Royal in Newcastle from Tue 29 October – Sat 2 November 2013.
A treat not to be missed.
(First published in German on 26/04/2013 under http://artyviews.wordpress.com/2013/04/26/shakespeare-woodstock-im-wald-von-arden/)

Alex Waldman (Orlando)

Alex Waldman (Orlando)

Pippa Nixon (Rosalind)

Pippa Nixon (Rosalind)

Nicholas Tennant (Touchstone)

Nicholas Tennant (Touchstone)

Oliver Ryan (Jaques)

Oliver Ryan (Jaques)

 

 

Photographer:  Keith Pattison

 

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